I find the point where work gets stuck, then design the system that gets it moving again.
Most of my work starts with a familiar situation. An organization has capable people, useful information and plenty of technology, yet the work still moves slowly because knowledge is scattered, processes are unclear and the tools were never fitted to the job. I study how the people and the process actually interact, then design something simpler that the team can trust and keep using.
My training is in science. I hold a BSc in Physics and a Diploma in Engineering from Mount Allison University, and that grounding in analysis and systems has shaped how I approach every role since. Today I design and build AI agents, knowledge systems and the workflows around them, and the questions I care most about are knowledge, workflow, governance and the people who have to use the result.
For more than a decade I have been responsible, end to end, for content, brand, marketing and proposal operations at a long-established Canadian IT company, working directly with its managing partners and directors. The role has always involved more than producing communications. It meant building the processes, information structures and approval paths behind them, so a small team could compete for public-sector work against much larger firms. I have been the primary author on more than 30 public-sector and enterprise bids, for buyers including WorkSafeBC, BC Transit, BC Ferries, BC Assessment, PHSA, Island Health, Fraser Health and the City of Richmond. It also meant sales enablement: the battlecards, sales sheets and training that help a sales team explain technical services in plain business terms. The largest example was a response of roughly 300 pages, managed with a 15-person team over several weeks, which won a 20-year contract. The credit belongs to everyone who carried it.
Since 2024 my focus has been applied AI. I have designed and implemented AI-assisted proposal development, content approval workflows, bid tracking and internal training. Each of these connects the company’s knowledge, business rules and human review to AI tools people already use. Underneath them sits a company-wide knowledge base I built from information gathered across the company, so every agent and project works from the same approved picture of the business.
The central design question in this work is where automation should stop and human judgment should take over. I answer it with the people who will live with the system, because they know where the real risks are. That is also why training matters as much as the build. New tools ask a lot of people who already have full days, so I stay close while they learn and celebrate the first real win with them.
My approach to AI comes from directing. Set the objective, provide the context and define the constraints, then direct the work and review the result before it goes out. People get far more from AI when they treat it as a capable crew rather than a search box, and I have written that method into Getting better results from AI at work, a free guide series and course (The Director’s Chair).
Creative production has run alongside all of this. In 2006 I founded DJC Media, an independent animation studio where I handle every production myself, from story and character design to animation, edit and release. Its DJC Kids channel has passed a quarter of a billion YouTube views.
Before my current role, I was development coordinator and head grant writer for Zajac Ranch for Children, where I brought in more than $162,000 in grants and donations, including a first-time maximum award of $50,000 and a first-time $30,000 donation from Dempster’s Foods.
Before that, I spent ten years in Japan directing curriculum development and teacher training for a group of language schools, working entirely in Japanese, and I also took on technical translation for Honda and editing for Canon Marketing. Training teachers in a second language taught me patience, and how much people can do when someone believes they can.
The discipline has stayed the same throughout. Understand the system and listen to the people inside it, find the friction, then design something better and make it work in practice.
What I bring to a leadership team.
Business problems first
Every system I design starts with a real bottleneck that is slowing people down.
Systems in daily use
My systems run inside existing approval processes, and a person reviews every output.
Adoption
I train teams, present to leadership and make how-to videos. I stay close while people learn, so new tools become part of their day.
Hands-on craft
I write, design and edit video myself, so I know what good output looks like before I automate any part of it.
I rebuilt the entire brand.
Over eleven years at MYRA Systems Corp, I owned the brand outright. Not contributed to it. Owned it. I overhauled and rebuilt everything the company put in front of people: the logo, in-house documents, marketing documents, videos, briefs. Every template, every deck, every piece of collateral ran through one standard that I set and maintained.
That kind of scope only happens in-house. An agency hands you a brand book and leaves. I wrote the brand book, then produced everything it governed, then kept it current for a decade while the company grew around it.
Skills.
The skills I use most, grouped by area. This is a highlight reel rather than the full set.
AI systems and enablement
- AI agent design and deployment
- Prompt and system instruction design
- Knowledge bases for AI agents (Markdown, with query routing)
- AI content workflows with human review
- Reusable AI skills and scheduled automations
- Training teams to work with AI
- Course design: objectives, knowledge checks, assessment and certificate
Content and campaigns
- B2B content strategy and copywriting
- Multi-channel social and paid campaigns
- Long-form articles and blog content
- Sales enablement: battlecards, one-pagers, datasheets
- Event marketing and print production
- Partner co-marketing
Brand, design and video
- Brand identity and logo design
- Illustration and character design
- AI video production, script to final edit
- Animation, from 2D frame by frame to AI 3D
- Website content and rebuilds
- Paid ad creative (Google Ads)
Proposals and bids
- RFP response strategy and writing
- Bid management and submission
- Go/no-go briefing notes
- Public-sector procurement portals
- Coordinating executives and subject experts
Tools.
The tools I use most often. The list is curated, not complete, and I pick up new tools quickly when a project needs them.
AI: language and agents
- Anthropic Claude (Projects, skills, agents)
- Claude Design
- Microsoft Copilot Studio
- Microsoft 365 Copilot
- ChatGPT
- Google Gemini
- Manus
- Vercel v0
- n8n (workflow automation)
AI: video
- Google Flow
- Sora
- Kling
- Nano Banana Pro (AI images)
- Figma Weave (node-based compositing)
- Pika
- Luma Dream Machine
- Synthesia and HeyGen (AI presenters)
AI: voice, music and editing
- ElevenLabs (AI voice)
- Suno (AI music)
- Speechify
- Descript
- CapCut (AI features)
- Opus Clip
- Wispr Flow (voice to prompt)
Adobe Creative Suite
- Photoshop (expert)
- Illustrator
- Premiere Pro
- After Effects
Design and video
- CyberLink PowerDirector (expert)
- Canva
- Clipchamp
Marketing and workplace
- HubSpot (landing pages, forms, email, social)
- Google Ads and AdRoll
- Google Analytics and Tag Manager
- Google Keyword Planner
- WebSights (visitor identification)
- LinkedIn Campaign Manager
- Microsoft SharePoint and Teams
- Word, Excel and PowerPoint
- BC Bid, MERX and Bonfire
Education
- BSc in Physics and Diploma in Engineering, Mount Allison University
- 10 vendor sales accreditations, including Citrix, VMware and Veeam
Languages
- English (native)
- Japanese, business level (JLPT Level 2)
Based in
- Vancouver, BC
- Canadian citizen

